Henry Miller

Self-Portrait
(1943)

"Paint what you like and die happy."

— Henry Miller

American Novelist, Painter

1891 - 1980

The message here is simple and direct:  do what you like.  Too often we don't do what we like.  Nor do we learn to like what we do.  And then people become unhappy with their lives and they spend their time complaining.  Don't let others dictate what is important for you.  

And I am not telling you to run away from your spouse and children and join an artist colony where you spend every day either painting or writing.  We all have responsibilities and we should not shirk them.  If you get married, you have made a commitment and you need to live up to it.  If you bring children into this world, you have a responsibility to raise, educate and care for them.  Doing what you love does not mean avoiding your responsibilities.  Doing what you love means finding 30 minutes or 60 minutes where you do what you want to do — where you do what you love to do.  Then you can die happy.

Roberto Bolano

"You have to know how to look even if you don't know what you're looking for."

— Roberto Bolano

Chilean Novelist, Poet

1953 - 2003

One of the functions of artists and writers is to see the world in ways that nobody else does and at the same time help others to see the world in new ways.  I have often found that the best novels teach me new things about the world that I had not previously discovered.    Creative leaders may not know what they are looking for, but they will recognize it when they see it and they will find a way to communicate it to others.

Do you know how to look at the world?  What makes your way of viewing the world unique?  Do you know what you are looking for?  Have you found it or are you still looking?  Do you appreciate your unique vision of the world?  Have you accepted your vision of how the world should be?  Have you communicated your vision to others?

Here is a poem by Roberto Bolano from his book, The Romantic Dogs, translated by Laura Healy.

Self Portrait At Twenty Years

I set off, I took up the march and never knew
where it might take me. I went full of fear,
my stomach dropped, my head was buzzing:
I think it was the icy wind of the dead.
I don't know. I set off, I thought it was a shame
to leave so soon, but at the same time
I heard that mysterious and convincing call.
You either listen or you don't, and I listened
and almost burst out crying: a terrible sound,
born on the air and in the sea.
A sword and shield. And then,
despite the fear, I set off, I put my cheek
against death's cheek.
And it was impossible to close my eyes and miss seeing
that strange spectacle, slow and strange,
though fixed in such a swift reality:
thousands of guys like me, baby-faced
or bearded, but Latin American, all of us,
brushing cheeks with death.

Jean-Baptist-Camille Corot

Interrupted Reading

"Don't imitate, don't follow the others, or else you will lag behind them."

— Jean-Baptist-Camille Corot

French Painter

1796 - 1875

As a creative leader, you want to standout.  You need to develop your own unique style.  This can not happen if you are imitating others.  Follow your vision, not the vision of others.  Be innovative and different.  Set the standard for others to follow.  

When you follow your own vision, there will be detractors who tell you it can't be done.  Ignore the naysayers — those who say you are a fool.   Don't listen to their negativity.  Hold true to your heart and to what you believe to be the path for you.

The Bridge at Nantes

Virginia Satir

"We must not allow other people's limited perceptions to define us."

— Virginia Satir

American Author

1916 - 1988

One of the challenges we all face is not letting other people's perceptions of us determine who we are and how we behave.  This development of who we believe ourselves to be begins almost from the moment we are born.  Our parents judge us based on our gender.  I have talked to women who say: "My father wanted a boy so he named me ___________."  Other people will tell us that we are big or tall or pretty.  And over the years these observations sink into our subconscious and we begin to believe them to be true.  Much of my childhood I was told that I was big for my age.  Over time that observation by people translated in my brain as "you are fat" even when I wasn't.

What observations have you heard throughout your life that you have come to believe as true?  How did these observations become translated into your brain?  Are these observations true or do you need to discard them?

As artists and writers we experience similar challenges.  People will criticize our creative works and often we come to believe these criticisms to be true.  We may even change our work to please the critics.  If we do, we are allowing their limited vision to define who we are and what we are capable of achieving.  Do not let those with limited imaginations limit you.  Stand up for yourself.  Choose to define yourself and your work by your vision, not that of others.

 

Rudyard Kipling

"If history were taught in the form of stories, it would never be forgotten."

— Rudyard Kiplng

English Novelist and Poet

1865 - 1936

Do you love history?  Do you read history?  Or could you care less about history?  Do you incorporate history into your writing and paintings?  I believe creative leaders need to study history?  Artists should study art history and many do.  Writers should study the lives of writers.  English degrees tend to focus on the literature and studying the literature.  Writing degrees tend to focus on the writing.  But few writers study the history of writing, the history of writers, the history of words or the history of publishing.  I have met many wanna-be poets who haven't even read other poets. They would never consider studying the history of poetry.

But understanding literature, art and theater requires more than studying the history of the arts.  We need to study literature, art and theater in the context of the times they were created.  We need to study the social, political and economic histories.  We need to read biographies and memoirs. 

Writers, artists and actors are people of their times.  They creative works contain the same beliefs, hopes and biases that can be found in the rest of their society.  Novels written in other times and places will teach you one perspective of that society.  Their paintings are minature history books.



So I encourage you to read a biography of a favorite writer, actor or artist.  Immerse yourself in the history of another time and place.  What was Paris like during the time of the Impressionists?  What was New York like during the 1950's and the beats?



One of my favorite movies is The Man Who Would Be King, starring Sean Connery and Michael Caine, directed by John Huston and based on the novel by Rudyard Kliping.  The movie takes us to another place and time and gives us a glimpse of a world not our own.  Here are some scenes from the movie.

Ken Patchen

"I don't consider myself to be a painter.  I think of myself as someone who has used the medium of painting in an attempt to extend — give an extra dimension to — the medium of words.  It happens very often my writing with a pen is interrupted with my writing with a brush — but I think of both as writing."

— Kenneth Patchen

American Poet, Novelist

1911 - 1972

We define ourselves with labels.  "I am a painter.  What are you?"  "I am a poet."  We are born into this world without labels and when we die, our obituaries tell the world that we were lawyers, doctors, merchants or candlestick makers.

In my profile I list many of the labels that have defined me over the years:  a carpenter, street sweeper, car hop, corn detasseler, hospital orderly, radio announcer, blogger, book editor, publisher, freelance writer, bus driver, sports writer, bookkeeper, policy and procedures writer, forms designer, marketing vice-president, corporate executive, professional speaker, facilitator, salesman, trainer, poet, storyteller, organizational development consultant, ad writer and communications executive.  And that is the short list.

What labels have you given yourself?  What labels have others given you?  Do these labels define you?  Do the labels tell the world who you are?  Do your labels limit you or expand the boundaries of who you are?  Do the labels allow others to place you in a cubbyhole?  To limit your creativity?

Do you ever judge people by their labels?  "Oh, you are just a bus driver?  A street sweeper?  A garbage collector?...."

Patchen said that he is not a painter.  He is a writer who has given an added dimension to his writing.  He has extended the boundary of the label beyond how most people define it.

Stanley Kunitz

"The poem in the head is always perfect.  Resistance begins when you try to convert it into language."

— Stanley Kunitz

American Poet

1905 - 2006

This statement by Stanley Kunitz sums up one of the key challenges that every creative leader faces.  What we create in the physical world never is as good as what we imagine in our minds.  Most artists, writers and performers are never satisfied with the end product because we see something different in our mind's eye.  And we have to learn to accept that it is okay to be imperfect.  Perfection is unachievable.  In fact, as humans what makes us interesting is our flaws.  And the same thing is true of our art.  It is the mistakes that make our art unique.  If the work we created was perfect, then every piece of art would look the same.  It is our flaws and weaknesses that make our art uniquely ours.  Our imperfections help make the art perfect.

Here is a poem by Stanley Kunitz.



Passing Through



By Stanley Kunitz



     -- on my seventy-ninth birthday



Nobody in the widow's household

ever celebrated anniversaries.

In the secrecy of my room

I would not admit I cared

that my friends were given parties.

Before I left town for school

my birthday went up in smoke

in a fire at City Hall that gutted

the Department of Vital Statistics.

If it weren't for a census report

of a five-year-old White Male

sharing my mother's address

at the Green Street tenement in Worcester

I'd have no documentary proof

that I exist.  You are the first,

my dear, to bully me

into these festive occasions.



Sometimes, you say, I wear

an abstracted look that drives you

up the wall, as though it signified

distress or disaffection.

Don't take it so to heart.

Maybe I enjoy not-being as much

as being who I am.  Maybe

it's time for me to practice

growing old.  The way I look

at it, I'm passing through a phase:

gradually I'm changing to a word.

Whatever you choose to claim

of me is always yours;

nothing is truly mine

except my name.  I only

borrowed this dust.

Carl Rogers

"The curious paradox is that when I accept myself just as I am, then I can change."

— Carl Rogers

American Author / Psychologist

1902 - 1987

Have you ever had a desire to change who you are?  Have you ever dreamed of waking up and being somebody different?  That is one of the fun things about being a novelist or an actor.  Novelists and short story writers can become the characters inside the stories they tell.  I once wrote a short story, Bath Day, in which I inserted my real self as a minor, minor character seen through the eyes of the main character.  Actors take on the character of others.  They play heroes and villains.  They experience death, love, sorrow and laughter in the skin of imaginary characters.

Most of us have struggled with our self-identity.  We may not like our physical looks or the bill-paying work that we do.  We may think that we are poor husbands, wives or parents.  And yet, if we learn to accept who we are and what we have done, then we can begin to change into who we want to be.

Have you ever tried to change your habits?  Stop smoking?  Lose weight?  Start exercising?  Learn another language?  Leave the toilet seat down?  Some people say it takes 21 days to form a new habit.  Personal change is never easy.  We need to learn to be more forgiving of ourselves and those with whom we share our lives.  None of us are perfect.  And if change is difficult for us, don't you think it is just as difficult for those you love.  Learn to be gentle with yourself and those you love.

Theodore H. White

"To go against the dominant thinking of your friends, of most of the people you see every day, is perhaps the most difficult act of heroism you can have."

— Theodore H. White

American Journalist/Writer

1915 - 1986

As artists and creative leaders, we often have to stand alone against the thinking of family and friends.  This is very difficult to do and often we will be criticized for what we think and the way we behave.  This happened to me early in my life.  I grew up in the Mennonite church in central Illinois.  When I was a sophomore in high school, I committed myself to being a minister.  By the time I was a senior, I was no longer a believer in the faith of my forefathers.  This admission was very difficult for both my mother and father to hear.  

Do you stand up for what you believe even though the people around you disagree with you?  Did you become an artist despite the wishes of your parents?  Many parents prefer their children become doctors and lawyers.  It takes a strong-willed individual to become a writer or a painter in the face of parental opposition.  As Theodore White says, each of you are heroes.  Celebrate and appreciate your strength and individuality.