Eric Fischl

"If you worry about how good the art is, you're never going to make your own art."

— Eric Fischl

American Artist

1948 - 

For many of us we have a need to be perfect and  we punish ourselves when we don't live up to our expectations.  Some people go so far as to stop creating.  Their fear of not being perfect gets in their way and they give up.  If you create from your heart, stop worrying about technique and accept the fact that you will never be perfect.  And who says that you are a good judge of your own work.  There are many examples of creative leaders being remembered for some minor work that they dashed off in a very short time.  Do you really think that Charles Dickens thought that Christmas Carol would be his most famous, reproduced again and again in film and television?  Many times what the author loves does not sell well and is poorly received by the general public.  So don't worry about how good your art is.  Just paint, write and compose.  The public will do the rest.

Ten Breaths: Damage
(2007)

Joan Miro

"I try to apply colors like words that shape poems, like notes that shape music."

— Joan Miro

Spanish Artist

1893 - 1993

Hand Catching a Bird
(1968)

Our lives are touched with color whether we are artists or not.  We are attracted to color and repulsed by color.  We wake to color in the morning and some of us dream in color.  We love the color of flowers in spring and summer.  We love the color of leaves in autumn.  Our lives our filled with color.  We often buy our clothes based on color.  We paint the walls of our houses with color.  We choose the color of the car we buy.  Color is an important part of our lives.  Chefs use color to make the meal appealing.  Advertisers use color to convince us to buy things.

In a study of the colors blue and red, scientists at the University of British Columbia discovered that red makes us more cautious and attentive to details while blue makes us more creative and receptive to new ideas.  Experiments showed that with a red background people performed as much as 31 percent better on tasks like proofreading.  When blue was used, people were more open to new ideas and creative solutions.

What are your favorite colors?  Do some colors make you happy?  What colors make you sad? What colors excite you?  How does color shape your art?  What colors are you attracted to in a painting?  How does color shape your writing?  Do you use color as part of your description?  How does color affect your music?  

Red Sun

Virginia Satir

"We must not allow other people's limited perceptions to define us."

— Virginia Satir

American Author

1916 - 1988

One of the challenges we all face is not letting other people's perceptions of us determine who we are and how we behave.  This development of who we believe ourselves to be begins almost from the moment we are born.  Our parents judge us based on our gender.  I have talked to women who say: "My father wanted a boy so he named me ___________."  Other people will tell us that we are big or tall or pretty.  And over the years these observations sink into our subconscious and we begin to believe them to be true.  Much of my childhood I was told that I was big for my age.  Over time that observation by people translated in my brain as "you are fat" even when I wasn't.

What observations have you heard throughout your life that you have come to believe as true?  How did these observations become translated into your brain?  Are these observations true or do you need to discard them?

As artists and writers we experience similar challenges.  People will criticize our creative works and often we come to believe these criticisms to be true.  We may even change our work to please the critics.  If we do, we are allowing their limited vision to define who we are and what we are capable of achieving.  Do not let those with limited imaginations limit you.  Stand up for yourself.  Choose to define yourself and your work by your vision, not that of others.

 

Denis Waitley

"Failure should be our teacher, not our undertaker.  Failure is delay, not defeat.  It is a temporary detour, not a dead end."

— Denis Waitley

American Author, Speaker

1933 -

How do you view failure?  When you feel you have failed at something, do you stop doing it?  Failure for many people is a dead end.  They don't view it as a detour on the road of life.  How you respond to perceived failure says a lot about who you are and what you will accomplish in life.  

Every failure is an opportunity to learn something new?  To increase our understanding of the world around us.  What have you learned from your failures?  Do you use your failures as inspiration to work harder?  Or do your failures become your excuse to quit and give up?  Failure is a test of your character and your determination.

Playing sports taught me a lot about failure.  In baseball, no batter gets a hit every time he comes up to bat.  In fact, if a batter gets a hit three out of ten at bats, he is considered to be an great hitter.  In Little League, I was not a very good hitter despite my size.  My best game was two weeks after appendix surgery.  I played three innings and had 2 singles.

In basketball, no player makes every shot he takes.  In fact, if a player makes 50% of his shots, he is considered to be a good shooter.  When I was a freshman in high school, I dreamed of playing in and winning the state high school championship my senior year.  And while my team had a record of 28 wins and 1 loss, we never made it to the state championship.  That final loss and failure to play in the championship became a symbol for my loss of religious faith.  And for years I held onto that symbol and let it guide my life.  What I saw as a failure was actually a very successful year.  To play 29 games and only to lose the last one is a fantastic record.  Many teams would love to have that kind of winning record.  But in my mind's eye I saw it as a failure.

What failures are you holding onto?  What failures do you need to let go?

William Makepeace Thackeray

"The world is a looking glass and gives back to every man the reflection of his own face."

— William Makepeace Thackeray

English Novelist

1811 - 1863

This is a very profound statement.  The world that we see is a reflection of ourselves.  I tell a story in my seminars about a little girl who lives in the mountains with her parents.  One day the little girl has a fight with her mother and she runs out of the house.  When she reaches the edge of the cliff, she stops and yells at the top of her voice: "I hate you.  I hate you."  To her surprise she hears a voice shouting back at her:  "I hate you.  I hate you."  This frightens the little girl and she runs back into the house and tells her mother that someone out there hates her.  Her mother realizing what happened tells her young daughter to go back outside and shout, "I love you."  The little girl tiptoes back outside and nervously tiptoes to the edge of the cliff.  She calls out: "I love you.  I love you."  Echoing back out of the valley, she hears the words, "I love you.  I love you."  The message is quite clear:  what we send out is what we get back.

What we expect to find in the world is what we find.  If we think the world is a negative hostile place where our competition is seeking to destroy us, we will find examples to prove our world view.  If we think the world is helpful and supportive, we will find examples to prove our vision of the world.  The world we see is a reflection of the person we are.  Have you looked in the mirror lately?  What kind of person do you see?

Pierre Auguste Renoir

Self-Portrait, 1910

"There are some things in painting which cannot be explained, and that something is essential."

Pierre Auguste Renoir

French Artist

1841 - 1919

On the Terrace, 1881

All art (painting, sculpture, literature, music, etc) has something that cannot be explained, identified or understood.  A work of art is greater than its creator.  A work of art is greater than the sum of its parts.  When you look at a painting what do you see?  What do you not see?  What is the soul of the painting?  When you read a story what do you feel?  What do you not feel?  What is the heart of the story?  When you listen to music what do you hear?  What do you not hear?  What is the spirit of the music?

When I write a poem, I don't always understand it and others may understand it even less.  The poem has a life of its own — a meaning of its own.  I will come upon it weeks, months and even years later and it has been transformed into something I do not know.  Some days I like it and some I don't, but it is beyond my control.  It laughs at me and demands that I leave it alone.  It never thanks me for bringing it into existence.  It accuses me of locking it in a closet.  It says I was a terrible parent.

Alexander Calder

"The universe is real but you can't see it.  You have to imagine it.  Once you imagine it, you can be realistic about reproducing it."

— Alexander Calder

American Sculptor

1898 - 1976

Untitled, 1968

Centro Cultural de Belem

Lisbon, Portugal

Art and literature are created at the point where the universe meets the imagination.  The way we know the external world is through our senses.  Our minds interpret what they see, feel, hear, smell and taste and create the world we imagine to be there.  Even the most realistic painter or novelist interprets the world he sees with his imagination.  Even the most imaginative artist finds the beginning of his creation in the universe.

What is the universe that you see in your mind's eye?  What fantasies do you imagine to be real in your mind?  Art is always an interpretation of the world.  It is never the world.  It is never reality.  It is a pretend world that we believe to be true.

Giorgio de Chirico

"To become truly immortal, a work of art must escape all human limits: logic and common sense will only interfere.  But once those barriers are broken, it will enter the realms of childhood visions and dreams."

— Giorgio de Chirico

Italian Painter

1888 - 1978

The Disquieting Muses (1916)

The way we see the world impacts our ability to be creative.  Logic, reason and even common sense can hold us back from where as an artist and creative leader we need to go.  Logic and reason can be chains around our wrists and ankles, preventing us from escaping the boundaries of human existence, forcing us to paint what is, not what is meant to be.  Logic and reason are the tools of the editor in our head telling us that we are not good enough, that the words we write don't make sense, that the sentence structure is wrong, that the story is unrealistic.  Logic and reason are the tools of the judge in our hearts telling us that the work we have created is not good enough.  We must break the chains that bind us and become as little children — able to see the world with eyes of wonder.

Edvard Munch

"Art is the opposite of nature.  A work of art can come only from the interior of man."

— Edvard Munch

Norwegian Artist

1863 - 1944

Even in the most realistic work of art, nature has been altered and changed by the artist.  We as creative leaders alter the world, change it fit our perspective, our view of how things should be.  This is what makes every painter, novelist, poet and musician unique and different.  No two of us are alike.  Who we are changes what we create and what we create changes who we are.  We are not God.  We are different than God.  We are other.

Claudia Black

"Trust in yourself.  Your perceptions are often far more accurate than you are willing to believe."

— Claudia Black

In my experience, your first instinct is probably more accurate than weeks of analysis.  Most of us though don't trust our instincts.  Our subconscious mind is constantly registering data from the world around us that the conscious mind does not even realize is there.  And it is from a subconscious analysis of this data that our instincts arise.  Do you trust yourself to make the right decisions in your art?  Do you follow that gut reaction that you have or do you analyze the painting, the poem or the story to death?