Jim Dine

Self-Portrait in Cambridge #4
(1979)

"I work every day.  I work all day.  I've never had a holiday.  It's all I really want to do.  It's what I'm here for. . . . More and more, I'm just so grateful I was born an artist."

— Jim Dine

American Artist

1935 -

Are you grateful that you were born an artist, a creative leader?  Do you appreciate the gifts of creativity that you have been given?  It is a privilege to be an artist — to have the opportunity to create works of art.  Give thanks every day for what you have been given.

What are your work habits?  Do you enjoy working?  Do you do some work every day?  An artist is always working?  He may not have a brush or pen in hand, but his mind never stops.  Everything he sees and hears goes into his creative subconscious and eventually finds its way into the creative work.  Celebrate the work.  Give thanks for the opportunity to work.

Henry Miller

Self-Portrait
(1943)

"Paint what you like and die happy."

— Henry Miller

American Novelist, Painter

1891 - 1980

The message here is simple and direct:  do what you like.  Too often we don't do what we like.  Nor do we learn to like what we do.  And then people become unhappy with their lives and they spend their time complaining.  Don't let others dictate what is important for you.  

And I am not telling you to run away from your spouse and children and join an artist colony where you spend every day either painting or writing.  We all have responsibilities and we should not shirk them.  If you get married, you have made a commitment and you need to live up to it.  If you bring children into this world, you have a responsibility to raise, educate and care for them.  Doing what you love does not mean avoiding your responsibilities.  Doing what you love means finding 30 minutes or 60 minutes where you do what you want to do — where you do what you love to do.  Then you can die happy.

Eric Fischl

"If you worry about how good the art is, you're never going to make your own art."

— Eric Fischl

American Artist

1948 - 

For many of us we have a need to be perfect and  we punish ourselves when we don't live up to our expectations.  Some people go so far as to stop creating.  Their fear of not being perfect gets in their way and they give up.  If you create from your heart, stop worrying about technique and accept the fact that you will never be perfect.  And who says that you are a good judge of your own work.  There are many examples of creative leaders being remembered for some minor work that they dashed off in a very short time.  Do you really think that Charles Dickens thought that Christmas Carol would be his most famous, reproduced again and again in film and television?  Many times what the author loves does not sell well and is poorly received by the general public.  So don't worry about how good your art is.  Just paint, write and compose.  The public will do the rest.

Ten Breaths: Damage
(2007)

Robert Rauschenberg

"I've not been cursed with talent, which could be a great inhibitor."

Robert Rauschenberg

American Artist

1925 - 2008

Estate

(1963)

Sometimes being blessed with too much talent can have a negative impact on a person's creative output. If painting or writing comes too easily, the person may quit out of boredom.  Or he may not work up to his potential because it requires so little effort.  He doesn't push himself.  Or if the talent is recognized early, expectations may be set so high by the powers that be that the person can not live up to the expectations.

If a person has to work hard to achieve great works of art, he may appreciate his accomplishments more.  He knows the amount of effort that went into the work.  He knows the obstacles he had to overcome.

So the key to success is not talent, but desire, hard work and persistence.  If you have the desire, work hard to perfect your skill and keep going long after everyone else has quit, you will be a success.

Ansel Adams

"When words become unclear, I shall focus with photographs.  When images become inadequate, I shall be content with silence."

— Ansel Adams

American Photographer

1902 - 1984

Sometimes words are not enough.  And sometimes pictures fail to communicate what we are feeling.  And all we have left is the silence.  If the writing is blocked, pick up a brush and paint a picture.  If the painting is blocked, walk into the woods and listen.  Life goes on even without the human voice.  Listen to the sounds between the silences.  Listen to the heartache in another human being.  The universe is bigger than mankind.  And yet the universe is contained in the soul of one individual.  We will not live forever.  And some day the civilizations we are so proud of will vanish and be replaced.  Change never ends.  Focus on what is possible and forget about what cannot happen.  




When we let the small things make us angry, we lose sight of the bigger picture — that in the grand scheme of things it will not matter a thousand years from now.  Where were you when Rome burned?  So take a deep breath and take the the beauty of the universe into your soul and create a masterpiece.  And give back to the universe a portion of what you have been given.  What is to be, will be.

Now, listen to Ansel Adams in his own words.

Marsden Hartley

Photograph of Marsden Hartley

by Alfred Stieglitz

(1915-1916)

"My work is getting stronger & stronger and more intense all the time.... I have such a rush of new energy & notions coming into my head, over my horizon like chariots of fire that all I want is freedom to step aside and execute them."

— Marsden Hartley

American Painter, Poet

1877 - 1943

Have you ever experienced that moment when the ideas flowed and you had a hard time keeping up with them?  Your hand couldn't move fast enough.  People often talk about not being able to create — about being blocked, but they talk less about the moments when they can't stop working.  When they are in a zone and the work continues to flow.  These moments also happen.  Celebrate them when they do.  They are a gift.

Mountain Lake - Autumn

(1910)

Here is a poem by Marsden, a prolific poet.

As the Buck Lay Dead

As the buck lay dead, tied to the fender

of a car

coming down the Matagomon way,

I saw dried blood on his tongue of

a thousand summer dreams and winter

cogitations —

the scratches on his hooves were signatures

of the many pungent sticks and branches.

The torn place in his chest was made

by a man

letting out visceral debris to save weight-giving

morsels to many a greedy fox or other wild

thing —

over the glaze of his half-shut eye

hung miscries of superlative moments

stuck dumb

Leonard Baskin

"Art is man's distinctly human way of fighting death."

— Leonard Baskin

American Artist

1922 - 2000

Isaac
(1973)

Some of us have a desire to live forever and look for secrets to preserve our youth.  Others consider and even attempt suicide.  Some people run from death hoping to escape the long reach of its arms.  Others look death in the face and challenge it.  None of us will escape.

Creating works of art offer us a way to extend our lives beyond our deaths — to keep our legacy alive.  When others read our novels, listen to our songs, or view our paintings, we are given a second chance at life — a second chance to touch the lives of others with the truth as we know it.

Create as if you were dying today.  Paint from your heart.  Write from the depths of your soul. Sing with all the joy you can muster.  None of us know when our time is up — when the light of our life is extinguished so live each moment to the fullest.  Enjoy the gifts you have been given.  Love those who love you.

Jim Trelease

"Story is the vehicle we use to make sense of our lives in a world that often defies logic."

— James Trelease

American Author, Speaker, Artist

1941 -

Often the world we live in does not seem to make sense.  Sure we have scientific explanations of how the universe was made.  And we have made great strides in understanding genetics.  But in the end it is the emotional side of life that is chaotic.  People still hate and kill each other and justify it for the dumbest of reasons.  People steal from others whether at the local convenience store or at the gas pump or on Wall Street.  People take drugs to hide their pain and to avoid dealing with the emotional causes of the pain.  Even artists, musicians, actors and writers are often caught in the trap.  They pour their heart and soul into their work and have nothing left over for their families and friends.  They create beautiful works of art and leave their spouses and children crying in the dark.

One of the ways we can make sense of this wild and crazy world we inhabit is to share our stories.  By telling our stories we can impose some structure to the chaos and randomness of the world around us.  Story gives a sense of who we are and where we came from.  Story links us to our past and points the way into the future.

Eric Fischl

"What experience has shown me is that it takes your life to become an artist."

— Eric Fischl

American Artist

1948 -

Becoming a painter, a poet, or a novelist takes a lifetime.  We are always in a state of becoming.  If we stop growing and changing, if we plateau, we die as artists.  We are on a journey.  The work we leave behind is the record of our journey.

Where are you on your artistic journey?  What challenges are you facing today?  What challenges have you learned to overcome?  What are your dreams for tomorrow?  What paths have you taken?  What roads have you avoided?

Don't despair if you feel you have lost your way.  Maybe you have just taken a detour and you will soon find your way again.  What we sometimes feel are the wrong roads turn out to be the right roads in the end.  We often cannot see the forest because of the trees.  Climb up the nearest tree and your world will change.  

I often hear people complaining about the weather.  It's too cloudy.  Too rainy.  Too cold.  Too hot.  Can't see the sun.  Yet if we get in an airplane and fly above the clouds, the sun is there.  It is always there.  So don't become discouraged.  Instead change your perspective.

Here is Eric Fischl talking about one of his paintings.

Grace Hartigan

Frank O'Hara

"I cannot expect even my own art to provide all the answers — only to hope to it keeps asking the right questions."

— Grace Hartigan

American Painter

1922 - 2008

What questions are you asking with your art?  One of the roles of a creative leader is to challenge the status quo?  To ask questions that others are afraid to ask.  Seldom do artists provide the answers.  Then we would be preaching.  Our job is to question and to question our questions?  To ask what others won't ask.

What questions are you raising with your art?  Your writing?  Your music?  In recent years my poems are questioning what God is.  I have had other writers tell me you can't write about God or the soul — that these words are too limited and vague.  And yet I know it is what I must write about.  I must raise the questions.  I must challenge our understanding of God.  I know I don't have the answers — that I will probably never have the answers, but I must keep asking.

Here is a fabulous video of Grace Hartigan talking about her art.  Be patient because the movie is slow to start.

Kimon Nicolaides

"Learning to draw is really a matter of learning to see — to see correctly — and that means a good deal more than merely looking with the eye."

— Kimon Nicolaides

American Artist, Teacher, Author

1891 - 1938

The arts involve the five senses of seeing, hearing, touch, taste and smell.  We understand the world in which we live through these five senses.  How we see the world impacts our ability to draw, paint and write.  

When I arrived home yesterday, my wife asked if I had noticed a hat hanging on one of my favorite wood statues.  I had not.  She said the hat had been there for several weeks.  My visual intake of the world around me is very selective.  I never notice the clothes people wear and I could not tell you what you were wearing yesterday.  Yet, if I visit a place I have not seen in five years, I will recognize the buildings.  

I put very little description of places and people in my writing.  And when I am reading a book with a lot of description, I tend to skip over it.

On the other hand, I am very auditory.  I can hear the slightest change in the tone of a voice.  I can hear the softest of sounds.  I cannot sleep with the radio or TV playing.  But I cannot sing worth a lick.  In fact, some people would say I am tone deaf.

How do the five senses impact your painting or writing?  Are you a visual person?  An auditory person?  How about the senses of touch, taste and smell?

Weldon Kees

"Modern society pushes people in the groove.  Although I was always interested in music and painting as well as poetry, at first I thought I had to concentrate on writing. . . one thing only.  But then the urge to paint was so strong I just went ahead and started oils.  And I didn't give up my writing — one did not exclude the other."

Weldon Kees

American Poet, Painter, Composer, Short Story Writer

1914 - 1955

As a creative leader, do you limit you creative expression to one type of art?  The common myth is that people can only do one thing.  Write poetry?  Paint portraits?  Compose music?  Write novels?  The myth is that we should focus on only one form of expression; otherwise, we will dilute our creativity not not do anything well.  We have become a society of specialists.  Painters should not write.  Writers should not play a musical instrument.  Actors should not write.

Kees believed that he could both paint and write.  "He said, "Shifting from one to the other I don't get into periods of absolute sterility that are often experienced by writers who just write, or painters who just paint."

Are you suffering from writer's block?  Pick up a paint brush and explore the world of color. Are you bored with painting?  Pick up a pen and write about your feelings.  Flipping back and forth between various art forms will keep you and your ideas fresh.

Here is a poem by Weldon Kees.

The Upstairs Room

It must have been in March the rug wore through.

Now the day passes and I stare

At warped pine boards my father's father nailed,

At the twisted grain.  Exposed, where emptiness allows,

Are the wormholes of eighty years; four generations' shoes

Stumble and scrape and fall

To the floor my father stained,

The new blood streaming from his head.  The drift

Of autumn fires and a century's cigars, that gun's

Magnanimous and brutal smoke, endure.

In March the rug was ragged as the past.  The thread

Rots like the lives we fasten on.  Now it is August,

And the floor is blank, worn smooth,

And, for my life, imperishable.

Maria Luz Q. King

Dancer

(2007)

"I have learned that in life nothing is forever, so maybe our dreams are not meant to be forever.  But the memory is forever!  The memories are what we take to heaven."

— Maria Luz Q. King

Mexican-American Artist, Author

1952 - 

Homeless
(2007)

Have you ever let go of your dreams?  I don't mean quit on your dreams.  I don't mean give up on your dreams.  I mean let them go.  Maybe you have outgrown them.  Or maybe you achieved the dream for a short period of time and that was enough.  Maybe our dreams are not meant to be forever.  Nothing in this physical world is permanent.  Nothing lasts forever.  The seasons come and go.  And so do people.  

Are there dreams that you need to let go of?  Are there dreams that are holding you back from success?  Sometimes our fantasies and dreams become barriers that prevent us from becoming whom we need to become.  Are you clinging to some dream that will never happen?  Is it time to let the dream go?

Where do our dreams come from?  Our genes?  Our parents?  Society?  God?  Do we take our dreams with us when we die?  Or do our dreams die with our bodies?  I think our dreams are gifts that provide meaning to our lives.  Our dreams inspire us to do more — to achieve more, to be more.

Beatrice Wood

Photo by
William Gray Harris

"Very few people know how to work.  Inspiration, everyone has inspiration, that's just hot air."

— Beatrice Wood

American Potter, Artist

1893 - 1998

I have often heard beginning writers say that they only write when they are inspired.  Unfortunately, if they wait until they are inspired, their output will be very small.  Most experienced artists and writers know they must work whether they are inspired or not.  Often when we work the inspiration will arrive on its own time and when we least expect it.  

Success comes from work.  Work when you are sad.  Work when you are happy.  Work when you don't feel like it.  Work when you want to go to a movie.  Our minds are very good at finding excuses for not working.  "I have to do the dishes."  "I have to wash the clothes."  And the list goes on.  Work takes discipline and will power.  

See writing and painting as a job that you need to show up to every day.  Since you have no boss but yourself, you have to hold yourself accountable.  Schedule your hours when you are most creative and stick to your schedule.  Maybe you write between 5 am and 6 am.  Or if you have the luxury, schedule your work hours from 8 am to 5 pm with an hour off for lunch.  Some writers write in the morning and do their research and marketing in the afternoon.  You have to find the schedule that best fits your temperament.

George Bellows

"The ideal artist is he who knows everything, feels everything, experiences everything, and retains his experience in a spirit of wonder and feeds upon it with creative lust."

— George Bellows

American Painter

1882 - 1925

Dempsey and Firpo

(1924)

Do you experience the world in a spirit of wonder?  Are you surprised by the things that happen or have you become cynical and negative?  A creative leader must be like a young child soaking up life and enjoying every moment of it.  Everything that happens to us — good, bad and indifferent — is fuel for our creative lust.  I don't believe artists and writers experience the world at a deeper level then other people.  It's more they have learned to use that experience to feed their creativity.

Creativity is both sexual and sensuous.  When we are painting and writing, we have a deep desire to create, to give birth.  We can feel the lust in our loins, the joy in our hearts.  How powerful is your desire to create?  Can you feel it deep within your body?  Does every part of you tingle with excitement?  Can you taste the lips of your lover?  

Frank Stella

"One learns about painting by looking at and imitating other painters.  I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting.  There is no other way to find out about painting."

— Frank Stella

1936 - 

American Painter

I think one of the best ways of learning how to create is to study other artists, novelists, poets, musicians, dancers and storytellers.  And most creative leaders do.  The only exception is wanna-be poets.  I am always surprised when I meet a person who tells me that he writes poetry but he never reads it.  And I have probably met hundreds in my life.  If you want to perfect your art, you need to study other artists.  But don't limit yourself to your chosen medium.  Explore other arts.  If you are a painter, read poetry.  If you are a novelist, study landscape artists and portrait artists.  If you are a dancer, study the painters who painted dancers.  The message is simple:  creative leaders need to be studying other creative leaders for insight and understanding.

Harran II

(1967)

Jackson Pollack

"The painting has a life of its own.  I try to let it come through."

— Jackson Pollock

American Artist

1912 - 1956

Many painters and writers talk about the work of art as having a life of its own.  For me, this is one of the joys of the creative process — that moment of discovery when I am following the story, waiting to see where it will take me.  If the creative leader gets in the way of creative process, the work of art can be disfigured, paralyzed or even still born.  Don't let your idea of the painting or the story prevent the true work of art from being born.  What is in your mind's eye may not happen on paper or canvas.




Here is the trailer of a must see Jackson Pollock movie directed by Ed Harris.