Rudyard Kipling

"If history were taught in the form of stories, it would never be forgotten."

— Rudyard Kiplng

English Novelist and Poet

1865 - 1936

Do you love history?  Do you read history?  Or could you care less about history?  Do you incorporate history into your writing and paintings?  I believe creative leaders need to study history?  Artists should study art history and many do.  Writers should study the lives of writers.  English degrees tend to focus on the literature and studying the literature.  Writing degrees tend to focus on the writing.  But few writers study the history of writing, the history of writers, the history of words or the history of publishing.  I have met many wanna-be poets who haven't even read other poets. They would never consider studying the history of poetry.

But understanding literature, art and theater requires more than studying the history of the arts.  We need to study literature, art and theater in the context of the times they were created.  We need to study the social, political and economic histories.  We need to read biographies and memoirs. 

Writers, artists and actors are people of their times.  They creative works contain the same beliefs, hopes and biases that can be found in the rest of their society.  Novels written in other times and places will teach you one perspective of that society.  Their paintings are minature history books.



So I encourage you to read a biography of a favorite writer, actor or artist.  Immerse yourself in the history of another time and place.  What was Paris like during the time of the Impressionists?  What was New York like during the 1950's and the beats?



One of my favorite movies is The Man Who Would Be King, starring Sean Connery and Michael Caine, directed by John Huston and based on the novel by Rudyard Kliping.  The movie takes us to another place and time and gives us a glimpse of a world not our own.  Here are some scenes from the movie.

Wendell Phillips

"Revolutions are not made: they come.  A revolution is as natural a growth as an oak.  It comes out of the past.  Its foundations are laid far back."

— Wendell Phillips

American Abolitionist, Orator, Lawyer, Author

1811- 1884

What, you might ask, do revolutions have to do with creativity?  Revolutions are a creative response to the status quo and happen at all levels of society.  Revolutions are happening in literature and art as each generation rejects the styles of previous generations.  Consider how Impressionism, Cubism and Abstract Expressionism started out as movements outside the mainstream.  

Revolutionaries have to think outside the box.  They have to be willing to see the world through new eyes.  The abolitionists stood up against slavery.  The civil rights activists stood up against segregation.  Wendell Phillips also said:  "Physical bravery is an animal instinct, moral bravery is a much higher and truer courage."  

What risks are you taking in your art?  Your writing?  Are you challenging the status quo?  Are you standing up for what is right?  Are you looking at the world with fresh eyes?  Creative leaders have to think outside the box.  They need to risk trying new techniques — new ways of thinking.

Wendell Phillips was born in Boston, Massachusetts and graduated from Harvard Law School.  He was a powerful speaker and became a voice of the anti-slavery movement.

Claude Monet

"I perhaps owe having become a painter to flowers."

— Claude Monet

French Painter

1840 - 1926

Water Lilies 1906

Why did you become a painter, a writer or a storyteller?  Why did you start playing music and composing songs?  Why do you love to take photographs?  What drives you to be creative?  What is your story?  I began writing poetry when I was a junior in high school and I submitted my early poems as a paper for a social studies seminar.  My English teacher asked me why I had not shown them to her.  At the time I had not made the connection between writing and English class.  I wrote because it was a way to express my ideas on societal problems.  Why are you an artist?  I'd love to hear your story.

Ferruccio Busoni

"The function of the creative artist consists of making laws, not in following laws already made."

— Ferruccio Busoni

Italian Composer, Pianist

1866 - 1924

When I teach people how to speak, I always tell them to learn the rules of speaking, but to understand that they can break every rule.  Speaking is an art, not a science.  Creative leaders understand that there are rules and techniques governing their art, but they have the right to break the rules.  Creative leaders are willing to take a risk and attempt something that lesser artists are unwilling to risk.  If you study the long history of the arts, you will see the pattern — every generation breaks the rules of the older generations and makes new rules.  Think of the changes the impressionists, the cubists and the abstract expressionists  made to art in the last 150 years.  Think about the rules that writers and musicians have broken in the past and continue to break today.  What risks are you taking with your art?  What rules have you been willing to bend and break?  What new rules have you put in their place.  In art, nothing is absolute.

Paul Gauguin

"Color!  What a deep and mysterious language, the language of dreams."

— Paul Gauguin

French Artist

1848 - 1903

As a writer, I have lived in a black and white world.  The pages of books are black and white.  The page I write on is black and white.  I have come to color only slowly when I took up the study of art about a decade ago.  The complexity of color is hard to understand.  Since the impressionists, color has been celebrated and let free.  The old Dutch masters were darker, deeper.  What is the color of your life?  Bright?  Sparkling?  Deep?  Dank?  Dark?  Autumn is coming — my favorite season.  A time of reflection.  The colors shift and darken.  The greens fade from the world.  We see yellows, reds and browns.  Then winter will be here and we are back to black and white, waiting for spring to sprout.