Margaret Atwood

"Perhaps I write for no one.  Perhaps for the same person children are writing for when they scrawl their names in the snow."

— Margaret Atwood

Canadian Novelist, Poet

1939 - 

Have you written your name in the snow?  Have you carved your name on a tree?  Have you scratched your name on the sidewalk?  Have you painted your name in the heavens?  Most of us want the world to know who we are.  And on one level that is why we paint, write and sing.  So that 100 years, 500 years, even 1000 years from now someone knows our name.  We want to leave a legacy of work.  We want to be remembered. 

I have read of writers, artists and actors who were famous while they were alive but forgotten within 20 years of their death.  I have also read of people who were unknown in their lifetime, but remembered hundreds of years after their death.  Vincent Van Gogh is a perfect example.  He died believing he was a failure and had only sold one painting in his lifetime.  More than a hundred years after his death, he is one of the most celebrated artists in the world.

Let me ask you a question.  If you had to choose between fame and fortune in your lifetime or having your creative work celebrated a thousand years from now, which would you choose? 

Ralph Steadman

"What I used to do with a passion, foolishly and vainly imagining I would change the world for the better, I no longer tolerate in myself or anyone else.  But draw, always draw — and WRITE."

— Ralph Steadman

British Artist, Writer

1936 -

Have you ever dreamed of changing the world — making it a better place?  Unfortunately, most people have very little influence on the world at large.  And with the one person that we do have influence over — ourselves — we usually lack the discipline for long-term change.  Have you ever tried to change a spouse or a significant other?  It rarely works.  I have often heard of wrecked marriages resulting from one person trying to change the other.

The Sheriff
1995

Revolution is often said to be the passion of youth.  And if one does not die in the revolution, one grows wiser with age.  If you study history, you will realize that even when the evil empire is overthrown, it is usually replaced by another empire that eventually becomes evil itself.  And the cycle continues.  The young want power and the old are unwilling to relinquish it.

And what you might add does all this have to do with art and writing?  Every generation or two there are revolutions in artistic taste and style.  The younger generation of artists challenges the older generation.  Today abstract expressionism is giving way to a resurgence of realism.  And tomorrow?  I won't even begin to predict.

I think Ralph Steadman has hit the nail on the head.  Stop worrying about changing the world, your spouse or even yourself.  Just create:  draw, paint and write. 

Natalie Goldberg

"Writing, too, is ninety percent listening.  You listen so deeply to the space around you that it fills you, and when you write, it pours out of you. . . . The deeper you listen, the better you can write."

— Natalie Goldberg

American Writer

1948 - 

Most of us probably never associate writing or painting with listening.  Writing and painting are active processes.  We perceive listening to be a passive process.  Actually, listening is very active and engaging.  As writers and painters we need to be listening to the world around us. By listening we learn to see the world for what it is.  The better we understand our world the stronger artist we become.  Those, who are so absorbed in themselves that that they do not listen, ultimately, will lose touch with the world and they will become weak.

Learn to listen with your heart, your body, your soul, your mind and your spirit.  Taste the different flavors of the world around you.  Explore the dark crevices and the deep roots.  Climb the highest trees and tread on the sandiest beaches.  Taste the heights of the human spirit and the deepest valleys of the human heart.  Listen with every pore in your flesh.  Listen with every cell in your body.

Diego Rivera

"Only the work of art itself can raise the standard of taste."

— Diego Rivera

Mexican Artist/Muralist

1886 - 1957

People talk of taste as if it was real.  It is an illusion of judgement.  Every work of art, every poem, and every story has value.  When people begin to label art as good or bad, they are creating false categories that are based on artificial judgements.  What the majority label as good today may be considered bad tomorrow.  You may like something or not like something which in itself is okay.  Liking or disliking reveals something about you.  There is nothing inherently bad or good within the work of art itself.  The sense of good or bad is in the eyes of the beholder.  Any judgement made about a work of art is actually a judgement of the person who made the statement.

While there may only be one person today who likes your art, it does not make the art bad.  Two hundred years from now the majority of people may consider it a masterpiece.  Taste is fickle and useless.

The Flower Carrier

Diego Rivera, the great Mexican Muralist,  painted a number of murals in the United States during the 1930's.  Edsel Ford hired him to paint a mural at the Detroit Institute of Arts which is still on view today.  John Rockefeller commissioned him to paint a mural in New York.  Since Rivera was a communist, he included a portrait of Lenin in the mural.  When Rockefeller demanded that he remove the portrait from the mural, Rivera refused.  Rockefeller had the mural destroyed.  In the 1930's, a portrait of Lenin was unacceptable to the American public taste.  A work of art was destroyed because the subject matter was unacceptable.  Three hundred years from now, most people probably will never had heard of Lenin and nobody will be offended.  Remember public taste is fickle and arbitrary.