Duke Ellington

"I merely took the energy it takes to pout and wrote some blues."

Duke Ellington

American Composer, Musician

1899 - 1974

Many of us waste energy complaining.  We need to learn to transform our frustrations, fears and failures into positive energy that inspires us to create great works of art.  Are you feeling down today, maybe even depressed?  Great.  Use that negative energy to create.  Write through the frustration.  Paint a picture with large dramatic brush strokes.  Are you angry and upset?  Transform that negative energy.  Splatter the canvas with paint.  Quickly write a poem in very large letters and don't rewrite it.  Read the poem aloud to the universe.  Is your heart broken and you can't stop crying?  Give yourself a hug and sing in a loud voice a country song about your broken heart and the mean person who broke it.  Be sure to sing off key.  Paint a picture of a heart in agony.  Dance wildly about the living room and do a belly laugh.

Emotions are a part of being human.  What most people don't realize is that they can control and change their emotions.  Don't wallow in self-pity, take charge of your life and choose to change your emotions.  Do something that gets you out of that rut.  Climb a mountain in your backyard.  Take photos of squirrels chasing each other in fun.  Go for a swim.  Listen to Duke Ellington.

Joan Miro

"I try to apply colors like words that shape poems, like notes that shape music."

— Joan Miro

Spanish Artist

1893 - 1993

Hand Catching a Bird
(1968)

Our lives are touched with color whether we are artists or not.  We are attracted to color and repulsed by color.  We wake to color in the morning and some of us dream in color.  We love the color of flowers in spring and summer.  We love the color of leaves in autumn.  Our lives our filled with color.  We often buy our clothes based on color.  We paint the walls of our houses with color.  We choose the color of the car we buy.  Color is an important part of our lives.  Chefs use color to make the meal appealing.  Advertisers use color to convince us to buy things.

In a study of the colors blue and red, scientists at the University of British Columbia discovered that red makes us more cautious and attentive to details while blue makes us more creative and receptive to new ideas.  Experiments showed that with a red background people performed as much as 31 percent better on tasks like proofreading.  When blue was used, people were more open to new ideas and creative solutions.

What are your favorite colors?  Do some colors make you happy?  What colors make you sad? What colors excite you?  How does color shape your art?  What colors are you attracted to in a painting?  How does color shape your writing?  Do you use color as part of your description?  How does color affect your music?  

Red Sun

Oscar Wilde

"Every portrait that is painted with feeling is a portrait of the artist, not the sitter."

— Oscar Wilde

Irish Poet, Novelist, Playwright

1854 -1900

Writers, artists and poets reinvent themselves in their work.  When they create a character or paint a portrait, they are recreating a portion of themselves and their lives.  Yes, it may be a portrait of another person, but the artist leaves a piece of his soul in the painting.  The great artists and writers put themselves in their work.  

Remember that your emotions, your feelings are important to your success.  Reach deep within yourself and find the heart of your emotion.  Open yourself up to the world and find the words and images that convey your emotions in new and exciting ways.

See if you can identify the artists of these portraits of women.

Frida Kahlo

"I paint my own reality.  The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration."

— Frida Kahlo

Mexican Painter

1907 - 1954

Do you paint the world as you see it or do you paint the world as it really is?  Can we as artists and writers know the world as it really is?  Or do we only experience a version of the world?  Only what our eyes, ears and nose tell us is out there.  Is the world we experience internal or external?  Is the world we remember internal or external?  

Roots (1943)
Sold for $5.6 million (2006)

Do you paint whatever passes through your mind?  Or do you censure what you paint because you think others won't like it or won't appreciate it or won't buy it?  Our minds often serve as judges who tell us what we should or shouldn't paint.  Our minds often limit us and hold us back from producing the art we want to produce.  Frida Kahlo was not that type of artist.  She painted the pain she felt.  She did not limit her art because she felt others wouldn't like it or understand it.  She painted the world as she saw it.  

Here is the movie trailer for the great movie of Frida Kahlo starring Salma Hayek.  If you have not seen this movie, you need to see it today.

St. Francis of Assisi

"He who works with his hands is a laborer.  He who works with his hands and his head is a craftsman.  He who works with his hands and his head and his heart is an artist."

— St. Francis of Assisi

Italian Friar and Preacher

Founder of the Franciscan Order

1181 - 1226

What makes a great painting, poem or novel is the heart of the artist.  Great art grows out of the heart, not the mind.  A person can perfect his technique and think new ideas, but if the work he produces does not have heart, it ultimately will fail.  Yet a work of art that has heart will be able to overcome poor technique and weak ideas.

Emotion is what connects one human being to another.  Emotion is what connects a work of art with the audience.  Emotion is what artists must put into their work.  Have you connected with your heart?  Do you create from the heart?  Do you feel as your heart feels?  Or are you lost somewhere in your mind, thinking up new thoughts and new ideas?  Ideas are not enough. We must feel the emotion behind what we create.

Jim Trelease

"Story is the vehicle we use to make sense of our lives in a world that often defies logic."

— James Trelease

American Author, Speaker, Artist

1941 -

Often the world we live in does not seem to make sense.  Sure we have scientific explanations of how the universe was made.  And we have made great strides in understanding genetics.  But in the end it is the emotional side of life that is chaotic.  People still hate and kill each other and justify it for the dumbest of reasons.  People steal from others whether at the local convenience store or at the gas pump or on Wall Street.  People take drugs to hide their pain and to avoid dealing with the emotional causes of the pain.  Even artists, musicians, actors and writers are often caught in the trap.  They pour their heart and soul into their work and have nothing left over for their families and friends.  They create beautiful works of art and leave their spouses and children crying in the dark.

One of the ways we can make sense of this wild and crazy world we inhabit is to share our stories.  By telling our stories we can impose some structure to the chaos and randomness of the world around us.  Story gives a sense of who we are and where we came from.  Story links us to our past and points the way into the future.

Marcel Proust

"The real voyage of discovery consists not in seeking new landscapes but in having new eyes."

 

— Marcel Proust

French Novelist

1871 - 1922

For some people the environment is crucial to their happiness.  They let where they live affect their emotional life.  And there is some truth to the fact.  Cloudy days can bring people down.  Long winters give some people cabin fever.  Others need the mountains or the ocean or the prairie.  How does your environment affect you as an artist?  Does it inspire your creativity?  Does it make you hopeful?  Does it make you happy?

For other people like Proust and myself, the environment is less important?  I can create anywhere.  I can sit in a shopping mall and write poetry.  I can sit in a church and write.  As I write these words I am sitting in a hotel in South Carolina.  And the environment rarely affects my mood or happiness.  I love the mountains, the ocean and the prairie, but I don't need them to be happy.  I live inside my head.  Can you create anywhere?  Or must you be in a certain place?  A certain mood?  A special environment?

Pierre Auguste Renoir

Self-Portrait, 1910

"There are some things in painting which cannot be explained, and that something is essential."

Pierre Auguste Renoir

French Artist

1841 - 1919

On the Terrace, 1881

All art (painting, sculpture, literature, music, etc) has something that cannot be explained, identified or understood.  A work of art is greater than its creator.  A work of art is greater than the sum of its parts.  When you look at a painting what do you see?  What do you not see?  What is the soul of the painting?  When you read a story what do you feel?  What do you not feel?  What is the heart of the story?  When you listen to music what do you hear?  What do you not hear?  What is the spirit of the music?

When I write a poem, I don't always understand it and others may understand it even less.  The poem has a life of its own — a meaning of its own.  I will come upon it weeks, months and even years later and it has been transformed into something I do not know.  Some days I like it and some I don't, but it is beyond my control.  It laughs at me and demands that I leave it alone.  It never thanks me for bringing it into existence.  It accuses me of locking it in a closet.  It says I was a terrible parent.

Leo Buscaglia

"Nine times out of ten, when you extend your arms to someone, they will step in, because basically they need precisely what you need."

— Leo Buscaglia

American Author/Motivational Speaker

1924 - 1998

For the last twenty plus years, I have been teaching people the healing power of touching and hugging.  While I have encountered people who don't like to hug, I have found a deep desire on the part of most people for the healing that a strong hug will bring.  Here in the United States, hugging is not encouraged except in some churches.  Hugging is avoided in the world of business and education.  Some people view it as sexual harassment.  One of few places where people still are allowed to hug is at funerals.  We instinctively know that words are not enough.  What we want to say can only be said with a hug.

As writers and artists, we often work in isolation and yet we have this desire and need for human touch.  We should surround ourselves with supportive friends with whom we can cry  and who will give us a hug when we need it the most.  Healthy friendships are a necessary part of the creative process.

There is a true story that circulates on the internet of two baby twins who were born premature.  The hospital personnel put the babies in separate incubators per their policy and procedures.  One baby was healthy and thriving.  The other grew weaker.  A nurse decided to put the babies in the same incubator and a surprising thing happened.  The stronger baby put her arm around the weaker one and the weaker baby grew stronger and healthier.

As creative leaders, we need to take care of our own emotional and mental heath so we have the strength to create more works of art.  Be sure to give your friends and family a hug each and every day.

Robert Frost

"A poem . . . begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. . . . It finds the thought and the thought finds the words."

Robert Frost

American Poet

1874 - 1963

Does your art grow out of your emotions?  How often does your pain find expression in your painting, your poem or your story?  Does your joy find the words to express itself?  Many times we forget the original emotion that triggered the thought that ultimately finds its expression in our art.  Some art begins in anger, some in love.  And if we paint or write well, our audience feels the emotion.  




Here is my favorite Frost poem.

The Road Not Taken by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I marked the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference.

Piet Mondrian

Composition #2 Piet Mondrian

"Everyone knows that even a single line may convey an emotion."

— Piet Mondrian

Dutch Painter

1872 - 1944

The line is one of the smallest elements of a drawing or a painting.  The line is the beginning of what is to be.  And in that beginning the line conveys the emotion to come, the story to be told.  All art begins some where.  For the artist it is the line.  For the writer it is the word.  For the musician it is the note.  And the line becomes the skeleton, the core of what is created.

I recently discovered the drawings of Michael Kirby.  He has the powerful ability to convey emotion with simple lines.  Check out his blog at:

http://redyellowbluemakeyou.blogspot.com/2010/11/some-more-rapid-sketches.html