Dorothy Dunnett

"Facts are the soil from which the story grows.  Imagination is a last resort."

Dorothy Dunnett

Scottish Novelist, Portrait Painter

1923 - 2001

A story should be rooted in reality.  The reader needs to be able to relate the characters to the world that he knows.  Consider the novel, Watership Down, by Richard Adams.  The story is about rabbits and yet, we identify with them because of their human characteristics.  Dorothy Dunnett was a writer of historical novels who did immense research to place her stories in historical reality.  But facts are never enough.  It is in the imagination that the story takes wings and flies far from the facts to spin a story that touches the minds and hearts of the readers.

Have you rooted your stories in the reality?  Have you used your imagination to carry the stories to the heavens?  How about your paintings?  Is there something in the work with which we can identify?  Does the painting carry us beyond the facts into another world?

A. S. Neill

"Take from others what you want, but never be a disciple of anyone."

— Alexander Sutherland Neill

Scottish Educator, Writer

1883 - 1973

Life is about learning and everyone we encounter, whether in the virtual world or the physical world, has something to teach us, but no one is the master of all knowledge and wisdom.  No one deserves our devotion or discipleship.  We need to each independently investigate truth for ourselves.  We need to come to our own conclusions.  If we choose to blindly follow one person, we have failed ourselves.  We have let ourselves down.

From time to time in my life, I have wished I knew someone who had all the answers and I could sit at his feet and soak in his wisdom.  But I have never encountered that person and I have had to depend on my own thoughts and wisdom.  I have had to learn to investigate what truth is for myself.  And sometimes I make mistakes and sometimes I get it right.

People often feel they need heroes and gurus.  They keep looking for THE answer.  We put people on a pedestal and when we discovered their actions don't match their words, we tear them down.  We punish them for leading us a stray.  What we fail to realize is that there are no perfect people — no wise men sitting on a hill, only fools trying to get by.

As artists and writers, we must be careful not to worship other artists and writers, not to put them on pedestals.  We need to independently investigate what they have to teach and then make our own choices.  Truth is a slippery slope.  What we believe to be true today we may discover tomorrow was an illusion.

For your listening pleasure, here is one of my favorite Beatles song:  Fool on the Hill.

Hugh Nissenson

"One of the things that I felt I wanted to do as an artist was to expand the frontiers of my imagination as much as I could; to follow wherever my imaginative facility took me, and to create alternate worlds."

— Hugh Nissenson

American Novelist, Poet and Artist

1933 - 

One of the things that fascinates me about writing is the opportunity to create a world peopled with characters.  I enjoy watching the world take form out of my imagination combined with memory.  Now, it can be a world that looks very much like the world you and I live in or it can be a world that is solely from my imagination.  As a reader, I am deeply impressed with science fiction writers and their ability to create alternate worlds.  If you have not read Dune by Frank Herbert, you need to put it on your to-read list.

I am also fascinated by artists who paint genre paintings.  They create a whole world within a painting.  Two of my favorites are the American, Eastman Johnson, and the Dutch Master, Jan Steen.  Both artists tell stories through their paintings.  They create worlds that we can see.

What stories are you telling through your art?  What imaginative worlds are you creating?  Are you expanding the frontiers of your imagination?  Are you seeing things that others can't see?  Are you opening up new worlds for others to experience?

In my research on Hugh Nissenson, I discovered an amazing artist.  As part of the process of writing a novel about an artist, Nissenson painted a series of paintings for the novel in the style of his character.  In this video, Nissenson discusses his combining art and poetry into the novel. The Song of the Earth.

William Makepeace Thackeray

"The world is a looking glass and gives back to every man the reflection of his own face."

— William Makepeace Thackeray

English Novelist

1811 - 1863

This is a very profound statement.  The world that we see is a reflection of ourselves.  I tell a story in my seminars about a little girl who lives in the mountains with her parents.  One day the little girl has a fight with her mother and she runs out of the house.  When she reaches the edge of the cliff, she stops and yells at the top of her voice: "I hate you.  I hate you."  To her surprise she hears a voice shouting back at her:  "I hate you.  I hate you."  This frightens the little girl and she runs back into the house and tells her mother that someone out there hates her.  Her mother realizing what happened tells her young daughter to go back outside and shout, "I love you."  The little girl tiptoes back outside and nervously tiptoes to the edge of the cliff.  She calls out: "I love you.  I love you."  Echoing back out of the valley, she hears the words, "I love you.  I love you."  The message is quite clear:  what we send out is what we get back.

What we expect to find in the world is what we find.  If we think the world is a negative hostile place where our competition is seeking to destroy us, we will find examples to prove our world view.  If we think the world is helpful and supportive, we will find examples to prove our vision of the world.  The world we see is a reflection of the person we are.  Have you looked in the mirror lately?  What kind of person do you see?

Diego Rivera

"Only the work of art itself can raise the standard of taste."

— Diego Rivera

Mexican Artist/Muralist

1886 - 1957

People talk of taste as if it was real.  It is an illusion of judgement.  Every work of art, every poem, and every story has value.  When people begin to label art as good or bad, they are creating false categories that are based on artificial judgements.  What the majority label as good today may be considered bad tomorrow.  You may like something or not like something which in itself is okay.  Liking or disliking reveals something about you.  There is nothing inherently bad or good within the work of art itself.  The sense of good or bad is in the eyes of the beholder.  Any judgement made about a work of art is actually a judgement of the person who made the statement.

While there may only be one person today who likes your art, it does not make the art bad.  Two hundred years from now the majority of people may consider it a masterpiece.  Taste is fickle and useless.

The Flower Carrier

Diego Rivera, the great Mexican Muralist,  painted a number of murals in the United States during the 1930's.  Edsel Ford hired him to paint a mural at the Detroit Institute of Arts which is still on view today.  John Rockefeller commissioned him to paint a mural in New York.  Since Rivera was a communist, he included a portrait of Lenin in the mural.  When Rockefeller demanded that he remove the portrait from the mural, Rivera refused.  Rockefeller had the mural destroyed.  In the 1930's, a portrait of Lenin was unacceptable to the American public taste.  A work of art was destroyed because the subject matter was unacceptable.  Three hundred years from now, most people probably will never had heard of Lenin and nobody will be offended.  Remember public taste is fickle and arbitrary.

Alexander Calder

"The universe is real but you can't see it.  You have to imagine it.  Once you imagine it, you can be realistic about reproducing it."

— Alexander Calder

American Sculptor

1898 - 1976

Untitled, 1968

Centro Cultural de Belem

Lisbon, Portugal

Art and literature are created at the point where the universe meets the imagination.  The way we know the external world is through our senses.  Our minds interpret what they see, feel, hear, smell and taste and create the world we imagine to be there.  Even the most realistic painter or novelist interprets the world he sees with his imagination.  Even the most imaginative artist finds the beginning of his creation in the universe.

What is the universe that you see in your mind's eye?  What fantasies do you imagine to be real in your mind?  Art is always an interpretation of the world.  It is never the world.  It is never reality.  It is a pretend world that we believe to be true.

Leonardo Da Vinci

Mona Lisa

"The first goal of a painter is to be able to make a simple flat surface appear like a relief . . . this is done by the correct use of light and shade.  The one who can do this deserves the most praise."

— Leonardo da Vinci

Italian Artist

1452 - 1519

The arts are about illusion.  The painter paints an object, a person or landscape and wants us to believe that it represents the real thing.  The writer tells a story and wants us to believe that what he is telling us is real.  A musician plays sounds and wants us to believe the notes tell a story.  If we are good at our craft, people will believe what we show and tell them.  Leonardo reportedly took four years to paint the Mona Lisa.  Perfecting illusion takes time.